《活力工场》的序欧斯洛的这个系列有很多值得说的比如十多年来(以及马上的二十多年来)动画技术的变化剪影的空间与运动关于material and the void的暗示剧作、剧中剧、剧中人的身份以及the screening condition后殖民对世界文化的民族志/民俗想象当然还有关于如何使用这些民间故事和历史的archives(尤其是image archives)
1.The woman who disappeared? 2.The woman who ate photographs; 3.The woman who was kept on a shelf? 4.The woman who found bite marks on her skin; 5.The woman who was fed by a duck? 6.The woman who solved her own murder? 7.The woman who returned her husband? 8.The girl who loved horses?
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