在歌舞片维度引入了真正“新”的东西:歌舞场景的无规则性和梦境质感(《好先生番外篇》的炫技比之高下立判)且歌舞本身甚至被拿来创造无法被定义的“新”的情绪(如:conductor的Excuse me一段)The realization of the two relies fundamentally on the film’s expressive cinematography.
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无法给分她的人生我们只是草草地128分钟看完哭完又能回到自己的生活而她被定格在了27岁Life teaches you how to live it, if you live long enough. She didn't. She couldn't. Can she?
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