重看The worst thing about this rose-tinted, unapologetic glorification of a little pervert is that all the abuses suffered by Malena in the end become somehow justifiable, and herself understood and redeemed, simply because she has once served as the object of the boy’s excessive libido. This is exploitation of beauty itself at its worst. 托纳多雷一生黑
秋炳:121.76.180.83
可能是最可爱的费里尼了吧喜欢他早期的轻盈幽默人物的肢体表达还带着点默片的感觉五位一体的自传也有点神奇更神奇的是结尾艺妓之变是我心中最美的结尾之一了这一部已经有费里尼后来作品的所有主题了：boredom - there is always something more；画面可以总结为人人人人人人人人人人人全是人；傻白甜女主；封闭空间体系里的游荡带点虚实结合海作为出口；自由的镜头运动片段化的线性叙事；以及还是要有爱啊…PS. 喜欢那个在车站工作的孩子（怎么感觉也是费里尼自己真是自传狂魔…
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