A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
电影是很不错但是同类型的看过太多了又是忠实与原型所以没有什么亮点说不好听有点鸡肋啦演技也米有特多的舞台只是最后罗素回答华盛顿的那段Now you can live life rich in jail for the rest of your born daysor be poor outside for some of them.说完罗素很淡定的把被推回来的水喝了
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