一部很有意思的伪纪录片让人思考历史种族拉拉的交错关系:我们应该如何对待历史we have to create our own. 至少这部电影成为了当时黑人拉拉的reference形象有血有肉她们都是一个个能被看见的个体她们的挣扎、快乐都是真实的
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20200227 Jame Bridges Theatre 导演演员编剧拒绝制片人Shields的电话然后通过三段回忆拼起这个人偏执自负但又对电影充满热诚的制片人形象在50年代这样一个变革的时代Shields象征着老好莱坞的秩序而最后一幕三人拒绝邀约后却又在另一部电话上偷听又点出了这个生态之中所有人藕断丝连的关系视听极其讲究恶魔天使每个调度都显示出极高工业水准原型是大制片人David Selznick
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I am quit watching this. I can’t resonate with this D, she’s just so self-centered and making me so mad. friends around her are even being blamed for not thinking in her perspective? wtfff She doesn’t give a fuck on her friends at all, bringing her dad’s death up to stand in a moral high ground and the typical “I already apologized” GOD I hate her
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