侯孝贤：人情义理是传统的魅力…想把历史的空白做多少算多少想用影像的方式新的语言与形式来印证我对中华民族的理解 杨德昌：独立在儒家社会是一个很模糊的概念但在现代社会是必要的尤物太紧了夹死我了是中国社会很久以来必须要面对的问题30年前的事情如果我不拍就没有人拍了以后永远不会有人知道, I witness testimony. 杨德昌办公室的白板上写着硕大的ENERGY. 两人都在强调培养行业新人的重要侯看重土壤杨看重实践 个人之见：土壤是重要但如果没有土壤比如此时此地就得变成复活草一般如有余力再去累积/创造土壤 结束语：当光明照耀在黑暗中新电影又诞生了
淋楠:36.62.3.43
Bardem gives a monosyllabic performance of few words and much overwrought hysteria. A great chunk of the running time is devoted to dysfunctional suffering and passive facial grimaces. After an hour of this tedium, you stop worrying about where this disaster is going, or if it’s going anywhere at all. In the end credits, 28 producers are listed for an 85-minute film that doesn’t appear to have even had one.
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