…Blood still marked the hood like little streamers of black lace running towards the windshield wiper gutters. Bloody flecks were spattered across the seat and steering wheel. And the instrument panel was buckled inwards, cracking the clock and speedometer dials. …And there was dust and glass and plastic flakes everywhere inside.
Brian De Palma demonstrates the drawbacks of a film-school education by overexploiting every cornball trick of style in the book: slow motion, split screen, long takes, and soft focus abound, all to no real point. Sissy Spacek's overacting would register only 2/10 in terms of horror, but it would score well on the laugh meter.
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